Computer Graphics Survey

Modeling a 3D Scene

Using VectorWorks 8 on MacOS Computers

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Before beginning the project

Tutorial Goals

Since the 3D marketplace is very fragmented, VectorWorks is not the only 3D programs you will encounter. It does, however, follow the basic user interface approach used by all the dominant players, and it embodies all the major aspects of 3D work: modeling, rendering, and animation.

In this first phase of our 3D project, we will use the most common modeling tools: we will start from flat 2D shapes, converting them to 3D using two techniques generally available in all 3D programs: extruding and lathing. Later we will work directly with basic 3D shapes called primitives, combining them using solid operations.

After some initial setup, we can proceed to create the elements in our scene:

• A lathed pedestal
• Extruded type
• A simple building assembled from 3D primitives:
  • Walls carved using a solid subtraction operation on cubes
  • A roof obtained by repositioning and rotating a pyramid

Our final product will be a simple scene containing a logo made up of a few text characters (e.g., your initials).

Initial Setup

1. 
   
   Find the VectorWorks application icon and start the program
2. 
   
   If necessary, use File-->New to create a new document. If asked, choose 'Blank Document' from the 'Create Document' dialog.
3. 
   
   • A new untitled document window appears.
   • Save the new document: File-->Save As, enter any filename you want (this document will not be posted on the web site directly). Make sure to save often as you continue to work.
4. 
   
   Make sure View-->Rendering-->Wireframe is checked. Switch to front view, using the menu command View-->Standard Views-->Front.
5. 
   
   • The document window will update to show a front view of the model space.

Lathed Pedestal

1. 
   
   • Make sure the 2D Tools palette is visible (otherwise, display it using Palettes-->2D Tools).
   • Choose the Polyline tool (the 1st from the bottom in the left half of the 2D Tools palette).
2. 
   
   Draw the profile for the pedestal, using the Polyline tool in a connect-the-dots fashion to create a series of connected straight segments.
   • Click near the middle of the grid to establish the starting point of the profile.
   • Click to establish additional vertices representing one half of a front view of the pedestal. To constrain the line segments to vertical, horizontal, and 45°, hold down the Shift key while clicking.
   • To complete the profile, return to a location vertically aligned with the starting point, and double-click. An example of a completed profile is shown in this picture.
3. 
   
   Choose the 2D Locus tool (the 2nd from the bottom in the left half of the 2D Tools palette).
4. 
   
   Click to place a locus symbol (a white 'X' in a black box) on a corner of the profile. This is used to indicate the axis of rotation (the imaginary line around which the profile swings as it creates the 3D object). This picture shows where to click for the sample profile shown previously.
5. 
   
   With the pointer (the Arrow tool), drag a selection box enclosing the locus and the profile, leaving both items selected.
6. 
   
   Choose the Model-->Sweep command (sweeping is another name used for the lathe operation). If the 'Create Sweep' dialog appears, verify the settings against this picture.
7. 
   
   The result is a symmetrical 3-D shape based on the 2-D profile you drew.

Extruded Type

1. 
   
   Choose the Text tool (the 1st from the bottom in the right half of the 2D Tools palette).
2. 
   
   Click in the document window to indicate the location of the type.
   • Type a few letters, such as your initials (to keep file size and processing time down, we cannot have a large amount of text).
   • When done typing, choose the Arrow tool, leaving the new text block selected.
   • Now choose a typeface, size and style from the top three commands in the 'Text' menu. For best results, avoid typefaces and styles with complicated outlines, since this would also drive up the file size and the processing time: sans-serif typefaces such as Helvetica or Avant-Garde are a good choice.
   • To allow conversion to a 3-D object, you also need to select a typeface in the TrueType format.
3. 
   
   As the first step in creating a 3-D object, convert the type block to polylines (much like the ones you drew earlier with the Polyline tool) by using the Text-->TrueType to Polyline command. The result is a grouped set of polylines in the shape of the original type.
4. 
   
   Ungroup using Organize-->Ungroup. You will see separate selection handles around each letter. Leave them all selected.
5. 
   
   • Choose Model-->Extrude.
   • In the "Create Extrude' dialog, enter the depth of the 3-D type (e.g., 0.5") in the 'Extrusion' field.
   • Leave the other fields at their default values and click OK.
6. 
   
   The extruded type won't look any different in the front view. Change view using View-->Standard Views-->Right Isometric.
7. 
   
   The isometric view lets you see how the pedestal and the type relate in 3-D space.

Solid Subtraction Walls

1. 
   
   • Make sure that File-->Workspaces-->8 Standard Artlantis 3D is checked.
   • Switch to Plan view (View-->Standard Views-->Top/Plan).
   • Make sure the '3D Primitives' palette is visible (otherwise, display it using Palettes-->3D Primitives).
   • Double-click on the box icon in the '3D Primitives' palette.
2. 
   
   • In the dialog which appears next, enter an appropriate size to enclose the entire scene (if you did not change the default scale, a good size is 6" long and wide, 5" high).
3. 
   
   • Repeat the same process to create a second, narrower and taller box (e.g., 5.5" long and wide, 6" high).
   • Switch to the front view (View-->Standard Views-->Front)
   • If necessary, use the pointer (Arrow tool) to drag the two cubes so they indicate the inside and outside surfaces of walls and floor surrounding the scene--as shown in this picture.
4. 
   
   • To better understand how the objects are positioned, switch back to isometric view (View-->Standard Views-->Right Isometric).
   • Change the way the objects in the scene are displayed (rendered), from wireframe (objects appear transparent because all the edges are displayed) to solid (View-->Rendering-->QuickDraw 3D Interactive). If the objects do not appear shaded, use View-->Lighting-->Set Sun Position, leave the settings as they are in the dialog that appears, and click 'OK' to turn on the light.
   • Verify that the two boxes are one inside the other, the inner one protruding past the top of the outer one.
   • Select each box in turn, and use Model-->Convert To Mesh to prepare it for solid operations.
5. 
   
   • Use the pointer (the Arrow tool) to select both boxes at once (click on one, then shift-click on the other).
   • Choose Model-->Subtract Solids.
   • Solid modeling lets you create complex shapes by combining simpler ones. In this case, we will use the inner box to carve out (subtract) a cavity in the outer box.
   • In the dialog which appears next, click the arrow buttons until the outer box is highlighted by a thick outline.
   • Click 'OK' to complete the subtraction.
6. 
   
   • The inner box disappears, and the outer box is hollowed out, creating in a single step the walls and floor of a room.
   • If the room appears transparent, make sure the 'Attributes' palette is visible (otherwise, display it using Palettes-->Attributes). Use the pop-up menu next to the paint bucket icon to select 'solid'.
7. 
   
   Repeat the previous steps to insert additional boxes. Switch views as necessary reposition them as needed. If necessary, use Tool-->Scale Objects to resize them. These boxes will be used to carve doors and windows in the walls of the room.
8. 
   
   Use Subtract Solids to complete the room.

Return to Top

Pyramid Roof

1. 
   
   • Switch to Plan view (View-->Standard Views-->Top/Plan). Double-click on the pyramid icon in the '3D Primitives' palette.
2. 
   
   • In the dialog which appears next, choose a 'regular' pyramid (one that comes to a point) with four sides, then enter its size. Assuming you used the measurements in the examples, a good fit is 4.5 for base radius, and 2 for height.
3. 
   
   • In top (or plan) view, you see that the edges of the base of the pyramid are rotated 45° away from the walls of the room.
4. 
   
   • Make sure the pyramid (and only the pyramid) is still selected.
   • Display the Rotate Object dialog by double-clicking the Rotate Selection tool (the 1st at the top-left of the Editing palette).
5. 
   
   Enter '45' for the angle, click 'OK'
6. 
   
   • The pyramid should now align properly with the walls. Reposition and/or resize if needed.
   • Remember that just because one view shows the correct arrangement, it does not follow that the objects are in the right place in 3D. You need to look at the scene from multiple views.
7. 
   
   • To better arrange the pyramid vertically, switch back to Front view (View-->Standard Views-->Front) and wireframe rendering (View-->Rendering-->Wireframe).
   • The pyramid will typically appear in the wrong place (in this sample picture, it is far too low). Use the pointer (the Arrow tool) to drag the pyramid to the proper location.
8. 
   
   • In this image, the pyramid is positioned correctly atop the walls of the room.
9. 
   
   Switching once more to isometric view (View-->Standard Views-->Right Isometric) and solid rendering (View-->Rendering-->QuickDraw 3D Interactive) should give you a good idea of the 3D nature of the scene you created.
10. Before leaving, make sure your file is saved so you can continue working with it in the next session.

• The VectorWorks application is in the CAD folder on the startup drive.
  
• Documentation on VectorWorks is available on the ACG lab file server, in the ACG_DOCS volume.
• The Art Computer Graphics program of Fullerton College offers two classes covering 3D topics, ACG120: 3D Computer Graphics for Macintosh and ACG150: 3D Computer Animation for Macintosh. Look them up in the class schedule.

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