Rendering a 3D Scene

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Before beginning the project

• If you are working in the ACG Lab click to read these important notes before you start the tutorial. This section of the directions contains information that pertains specifically to the way the ACG Lab operates. It may not apply if you work on the project elsewhere.
• If you need to get for yourself the programs mentioned in this tutorial:
  • Art*lantis is a commercial program by Abvent.
  • VectorWorks is a commercial program by Diehl Graphsoft.
  • The QuickTime browser plug-in is free software by Apple Computer.

Tutorial Goals

Rendering is the final step of a 3D graphics workflow. The computer creates a 2D perspective view (for animations, a sequence of views) of our scene.

In creating the image, the renderer program uses both the geometric attributes of the scene (which we established in the previous tutorial, modeling), and its rendering attributes. The latter include:

• Surface color
• Surface roughness
• Transparency
• Lighting
• Atmosphere
• Viewpoint (or camera) settings

In some cases, rendering settings can substantially alter the appearance of the object, as is the case with displacement mapping, volumetric materials, and render-time solid operations (similar to solid modeling, but done by the renderer without altering the objects' geometry).

1. To complete the 3D portion of our web page you will first return to VectorWorks to export the model as an Art*lantis file.
   • While VectorWorks is capable of basic renderings, for more complex images you need to use a separate, dedicated renderer called Art*lantis.
2. In Art*lantis, open and set up the file exported from VectorWorks.
3. Choose the rendering attributes for the scene.
   • Aim camera
   • Apply textures
   • Adjust lighting
   • Choose environment effects
4. Render a thumbnail image of the model.
5. Render an interactive QuickTime VR panorama of the inside of the room.
6. Edit the homepage HTML file to add a link to the QuickTime VR file, using SimpleText.

Export the 3D Scene as an Art*lantis File

1. Re-open the 3D logo file created in the previous session, using VectorWorks.
2. Make sure the commands needed to export to Art*lantis are available, by using File-->Workspaces-->8 Standard Artlantis 3D. (this may change aspects of the user interface).
3. Make sure the elements in your scene are formatted so as to render correctly:
   • Use the pointer tool to select the roof; Model-->Convert to 3D Polys
   • Use the pointer tool to select the room; Model-->Convert to 3D Polys
4. Select a solid rendering mode (e.g., View-->Rendering-->QuickDraw 3D Interactive) to be able to see color fills in the scene.
5. Use View-->Art*lantis-->Art*lantis Preferences to make sure color-coding is aplied to the fill background.
   
6. Indicate the parts of the model that use different materials by color-coding them:
   • Use the pointer tool to select one of the parts of the model (for instance, the roof)
   • Use View-->Art*lantis-->Assign Object Material to display the 'Assign Object Material' dialog
     
   • Click 'New' to open the 'Edit Material' dialog, enter a name (such as 'roof'), and choose a color from the pop-up palette (these colors help to tell apart the various objects, they will not necessarily show in the final rendering).
     
   • Click 'OK' to return to the 'Assign Material' dialog, click 'OK' again to return to your model.
     
   • If the color you chose is not displayed in the model window, make sure the 'Attributes' palette is visible (otherwise, display it using Palettes-->Attributes), then use the pop-up menu next to the paint bucket icon to select 'solid' (indicated by a solid black square).
     
   • Repeat the same process to color-code all the other parts of the model (you may need to change viewpoint to do so, using commands in View-->Standard Views).
7. Export the color-coded model as an Art*lantis file
   • Make sure to save the VectorWorks file, in case you want to make changes to the scene (File-->Save).
   • Use View-->Art*lantis-->Art*lantis Export to display the 'Art*lantis Export' dialog:
     
     • Uncheck 'Replace Art*lantis Lights'
     • Check 'Export all visible objects'
     • Check 'Standard (fast)' mode
     • Check 'New File' mode
     • Click 'OK'
     
     
   • When asked, enter any filename (this file will not be placed on the web server), but keep the default '.opt' extension.
8. Note that two files will be created, one with the filename extension '.opt' and the other with extension '.db'. Make sure to keep both files in the same folder at all times.
9. You can now quit VectorWorks to free up memory.

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Art*lantis setup

1. Look in the startup drive, System Folder, Preferences folder. If the file 'Art35.prf' is present, throw it in the Trash. This forces the program back to its factory defaults.
2. Launch the Art*lantis program.
3. File-->Preferences. Choose settings that will speed up the operation of the program and conserve memory:
   
   • Choose a medium size for the preview window.
   • Choose a medium # of refractions, and 1 reflection.
   • Click the 'Select' button to find and choose the 'Shaders' folder in the same folder as Art*lantis.
   • Choose the leftmost tesselation button (for a lower polygon count).
   
   
4. File-->Open; choose 'OPT/DB' from the pop-up menu at the bottom of the dialog box; find and double-click the '.opt' file exported from VectorWorks.
5. As you work, render the scene whenever you need to check effects not displayed in the modeling window. Use the Render command in the Render menu.

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Aim the camera

1. Use Windows-->Edit Fixed Cameras to display the 'Fixed Camera' window.
2. Click the 'axis' button to display the camera placement window.
   
3. Drag the camera symbol (a light blue box) to reposition it--the preview window will update to the new viewpoint.
   
4. Drag the look-at symbol (the arrowhead) to reposition it--the preview window will update to the new camera direction.
   
5. For different views of the camera location diagram, click on the sides of the cube icon at the bottom of the window.
   
6. Use the hand and magnifier tools (icons at the bottom of the window) to focus on different areas of the model space.
7. When done, close the 'Fixed Camera' window.

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Apply textures

1. Make sure Windows-->Edit Shaders is checked. This displays a window whose title bar bears the name of one of the materials you entered while color-coding the parts of the model in VectorWorks.
   
2. Use Windows-->Display Materials List to see a window allowing you to select any of the materials in the model for modification.
3. Use Windows-->Library to display a window with the material shaders that come with the program.
   • To see thumbnails of additional textures, use the pop-up menu and the arrow buttons at the bottom of the Library window.
4. When you see a shader you like, drag its icon and drop it on the name of a material in the 'Materials List' window.
5. You can use additional controls (in the window with the same name as the material) to customize the shader. For instance, the image details in some shaders can be scaled.
6. Use Render-->Render to see a clearer picture of the textures you applied.

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Adjust lighting

1. Display the Lights palette (Windows-->Edit Lights).
2. To better see the effect of lighting changes in the preview window, you may want to have Options-->Cast Shadows checked, then use Options-->Recalculate to update the window.
   • NOTE: the renderings will only show the illumination cast by the lights. The lights themselves are invisible.
3. Change the orientation and settings of the default light (Light 0)
   • Make sure 'Light 0' is selected in the list at the top of the palette.
   • Click the 'axis' button to display the light placement window.
     
   • Drag the light symbol (a starburst) to reposition it--the preview window will update to the new illumination.
     
   • The other controls in the light placement window are the same as in the camera placement window.
   • In the Lights palette, click on the color picker to choose the light's hue.
     
   • Just above the color picker is the color saturation slider.
     
   • Use the slider labeled 'Power' to adjust the brightness of the light.
4. With Light 0 located outside the model, the inside of the room will be fairly dark.
   • One solution is to lighten the shadows cast by Light 0 using the 'shadows' slider. You can, in fact, turn off the shadows entirely (computer illumination doesn't have to comply with the laws of nature).
     
   • A more realistic-looking solution, however, is to leave the 'shadows' slider for Light 0 set to a high density value. Then, do what you'd do in the real world: turn on a light in the room.
5. Create and adjust a new light. This can be used to light the inside of the room, so details of your logo are more visible.
   • In the Lights palette, click on the 'Create' button to add an new entry to the list of lights.
   • Choose the light type by clicking on the lightbulb button.
   • Use the the light placement window to drag the new light inside the room. Make sure to check the position of the light from multiple views.
   • Use the other commands in the Lights palette to adjust the color, intensity and radii (Max. Light and Max. Dist. sliders) of the new light.
6. Again use Render-->Render for a more accurate view of the effect of your lighting settings.

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Choose environment effects

1. Bring up the Background palette using Windows-->Edit Backgrounds. This lets you add a backdrop to the rendering.
   • Choose one of three color options: Uniform, Graduated, Graduated Line.
   • Click the buttons at the top of the palette to select each of the color(s) used in the background. Use the color picker and the saturation slider to adjust the selected color.
2. Bring up the Atmosphere palette using Windows-->Edit Atmosphere. This lets you add effects such as haze or mist. Beware of overly dense fogs which may obscure your scene completely.
   
   • Turn the fog on and off with the 'Atm.' checkbox
   • Use the color picker and the saturation slider to adjust the color of the fog.
   • Use the three sliders at the bottom-right (High, Horizon, Low) to change the fog density at different heights above the ground.
   • Use the Scale and Turbulence sliders to change the detail appearance of the fog.

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Render a Still Image

This picture will be used as a thumbnail for the link from your web page to your 3D panorama file

1. Use Render-->Render Fixed Cameras to display the rendering dialog.
2. Enter the filename (all lowercase) according to these rules:
   • Your last name
   • An underscore
   • Your first name's initial
   • Another underscore
   • logo
   • A period
   • JPEG image file extension: jpg
   • Sam Sample's file would be named sample_s_logo.jpg
3. Choose 'JPEG' from the 'Doc Format' pop-up menu.
4. Enter width and height (in pixels), in the appropriate fields. To keep download times short, keep the size small (320 x 240, for instance).
5. Choose the other settings as shown in the picture below:
   
   • Turn on the first four checkboxes (to enable the advanced features of the renderer).
   • Turn off Alpha Channel (only useful if you were to composite the rendering with another image)
   • Choosing higher values with the '+' and '-' arrows can be used to improve image quality, at the expense of longer rendering time (reflection only applies to mirror surfaces, refraction to transparent objects).
   
   
6. Click 'Render Now'.
7. A rendering window will open, and the rendered image will gradually appear. This rendering will take a bit longer, since there are many more computations involved.
8. By default, the JPEG file with the rendered image will be automatically saved to the same folder as your Art*lantis document. Check that everything looks OK, then close the rendering window.

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Render a QuickTime VR Panorama

1. Use Windows-->Edit VR Panoramas to display the 'VR Panoramas' window.
2. Click the 'axis' button in the 'VR Panoramas' window to display the panoramic camera placement window.
   
3. Position the panoramic camera inside the room (this way, the viewers will have something to look at on all sides):
   
   • Drag the camera symbol (a yellow box surrounded by a circle) within the walls.
   • Drag the initial camera direction (the arrow) to determine what the viewers will see when they first download the panorama file.
   
   
4. The Cube, Hand, and Magnifier controls are the same as in the fixed camera placement window. Make sure to check the position of the camera from multiple views.
5. Click the camera button in the 'VR Panoramas' window to display the rendering dialog.
   
6. Enter the filename (all lowercase) according to these rules:
   • Your last name
   • An underscore
   • Your first name's initial
   • Another underscore
   • logo
   • A period
   • QuickTime file extension: mov
   • Sam Sample's file would be named sample_s_logo.mov
7. Choose the other settings as shown in the picture below:
   
   • Choose 'QuickTime VR 2.0 Compressed' from the 'Doc Format' pop-up menu.
   • Choose '160 x 120 test' from the 'Image Size' pop-up menu (this will automatically set the width and height fields as well).
   • To keep download times short, choose the smallest size from the 'Resolution' pop-up menu, 'Low (1248 x 384)'.
   • The checkboxes and '+' and '-' arrows are the same as in the fixed camera rendering dialog.
   
   
8. Click 'Render Now'.
9. A rendering window will open, and the rendered image will gradually appear. It will then be converted automatically to QuickTime VR format.
10. By default, the .mov file with the rendered image will be automatically saved to the same folder as your Art*lantis document.
    • Art*lantis cannot display QT VR files. In the Finder, double-click the icon of the .mov file to test it with QuickTime Player.
    • Drag the pointer in the movie window to look around the room.

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Edit the HTML File for Your Homepage

1. Make sure the QuickTime VR file exported by Art*lantis (called 'yourname_logo.mov) is in the exact same folder as your other files for the web.
2. Drag the icon of your homepage file (called 'yourname.html') and drop it on SimpleText
3. Click to place the insertion point where you would like to see the thumbnail linked to your QuickTime VR logo scene.
   • As always, make sure that the insertion point is not within a portion of text enclosed in angle brackets ('<' and '>'), and that it is within the 'BODY' container (after <BODY> and before </BODY>).
4. Enter the tag to display the thumbnail:
   • <IMG SRC="YourJpegFileNameGoesHere">
5. Before the IMG tag, enter the start tag for the link to your QuickTime VR file:
   • <A HREF="YourMovFileNameGoesHere">
6. After the IMG tag, enter the end tag for the link:
   • </A>
7. After following all of the above instructions, Sam Sample's HTML file would contain this entry:
   • Click on the picture to see a 3D panorama:<P>
     <A HREF="sample_s_logo.mov"><IMG SRC="sample_s_logo.jpg"></A>

To see this example of the QuickTime VR file, you will need a browser configured with the same QuickTime plug-in needed to play back the video project.

Before leaving, make sure you drop off your new .jpeg and .mov files, and the edited HTML, for posting to the web server.

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Notes

Surface roughness

• A bump map is the simplest way to add surface detail to a model.
  • Bump mapping uses a greyscale image which controls the tilt of the polygons' true surface normal, thus altering the shading to suggest raised and recessed areas. The simplest way to think about it is by analogy with height fields (see previous tutorial): bright values=raised, dark values=recessed.
    
  • Since bump mapping does not alter the shape of the object, the illusion of raised and recessed detail falls apart at the edges of the object (shown on the right in the image below). By contrast, displacement mapping (shown on the left), uses a greyscale image to move polygons in and out. As a result, you see the arrow stick out its tip past the edge of the cylinder, and cast a shadow on the cylinder's surface.
    

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Volumetric materials

• Volume rendering uses a math formula to determine the areas where the object is opaque, transparent, or somewhere in between (as well as controlling color, reflection, and other surface attributes).
  • The very different objects shown below are all simple boxes, with various volumetric materials applied to them:
    

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• Both the VectorWorks and Art*lantis applications are in the CAD folder on the startup drive.
• The QuickTime Player application is in the Video folder on the startup drive.
• Look up in the class schedule the Art Computer Graphics classes covering 3D topics, ACG120: 3D Computer Graphics for Macintosh and ACG150: 3D Computer Animation for Macintosh.

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Created 1996-06-15. Last modified 2002-12-02. This document originally at <http://www.sanedraw.com/LEARN/OVERVIEW/OV150MAC/INDEX.HTM> Copyright 2001 by Sandro Corsi.